The exhibition ‘To Have and Have Not’ will be open for visitors till July 7, 2013 at HALLE 14, Leipzig, Germany
We can’t imagine a global citizenship or any concept of dynamic citizenship if we don’t think about it not only in terms of law but in terms of the political economy of bodies that move. There have to be structures that can receive and host this kind of movement. This is why citizenship is not simply a subjective phenomenon but also an objective phenomenon of hospitality – Antonio Negri, The Right of Passage.
In their third collaborative film Zanny Begg (Sydney) and Oliver Ressler (Vienna) focus on struggles to obtain citizenship, while at the same time questioning the implicitly exclusionary nature of the concept.
The Right of Passage is partially constructed through a series of interviews with Ariella Azoulay, Antonio Negri and Sandro Mezzadra. These interviews form the starting point for a discussion in Barcelona, one of Europe’s most densely populated and multicultural cities, with a group of people living ‘without papers’. The film is set at night, against a city skyline, providing a dark void from which those marginalized and excluded can articulate their own relationship to the arbitrary nature of national identity and citizenship. Spain was chosen for this project as it is teetering on the brink of financial meltdown and is testing the limits of European cohesion.
The title, The Right of Passage, refers to the stages, or ‘rites of passage’ that mark important transitions on the path to selfhood. The exchange of ‘rites’ with ‘rights’ suggests that freedom of movement must become a right granted to every person – regardless of his or her place of birth. As the film explores these journeys not only transform those who embark upon them but also the places they inhabit.
In the film, the conversations around citizenship are interwoven with animated sequences.
Zanny Begg lives and works in Sydney, Australia. Her work revolves around an investigation of the politics of space, both in the broader globalised context and a more specific local one: she is interested in both the architecture of space and the social relationships that construct it. Zanny works in a cross disciplinary manner as an artist, writer and curator. She is currently the director of Tin Sheds Gallery and her recent curatorial projects include The Right to the City, Tin Sheds Gallery and There Goes The Neighbourhood, Performance Space.
Oliver Ressler, born 1970, lives and works as an artist and filmmaker in Vienna, Austria, and produces exhibitions, projects in the public space, and films on issues such as economics, democracy, global warming, forms of resistance and social alternatives.