After years of work and experience, this exhibition can be considered as a resume of Gülan’s presence in contemporary art.
What is the self? How can you be individual in the overwhelming power of social, political and cultural conventions and agreements? Can one be authentic in the age of absolute medial visibility, where everything is observed, recorded and shared?
In ‘Deeply in Love’ Gülan, indirectly refers to the ‘The Last Judgment’ (1537–1541) the grand fresco by the Italian Renaissance master Michelangelo painted on the altar of the Sistine Chapel.